Riding the Cosmic Range - Crafting LEGO Space Western Adventures
The Battlegorilla LEGO PodcastMarch 05, 202400:28:3119.39 MB

Riding the Cosmic Range - Crafting LEGO Space Western Adventures

This episode delves into the intriguing world of Space Western MOCs. Exploring the fusion of western-style narratives with science fiction environments, the episode uncovers the nuances of this subgenre while sharing personal experiences and creative insights. From discussing the origins and influences of Space Westerns in popular culture to detailing the process of building unique MOCs, listeners are treated to a captivating journey through the cosmic frontier. With anecdotes, design challenges, and imaginative concepts, this episode offers a rich tapestry of storytelling and LEGO craftsmanship, inviting enthusiasts to embark on their own space western adventures.

[00:00:00] This is the Battlegorilla LEGO Podcast, Episode 31, Writing the Cosmic Range, Crafting LEGO

[00:00:07] Space Western Adventures.

[00:00:11] The secret title of today's episode is Freeze Dried Baked Beans and Other Space Western Ideas.

[00:00:20] Way back in this podcast's third episode, I talked a little bit about some of the

[00:00:25] various unofficial themes and genres that got a little bit of representation here and

[00:00:31] there at LEGO conventions, but weren't typically among the major themes that have become somewhat

[00:00:38] standard.

[00:00:40] I then spent the rest of the episode talking about building mocks for the cyberpunk genre.

[00:00:47] Today's episode focuses on the traditionally science fiction subgenre called Space Western,

[00:00:54] which is an incredibly fun theme to build mocks for.

[00:00:58] So let's talk about LEGO Space Western.

[00:01:02] Wagon's Ho?

[00:01:04] Make it so.

[00:01:05] The Disclaimer.

[00:01:07] LEGO is a trademark of the LEGO group of companies, which does not sponsor, authorize,

[00:01:12] or endorse this podcast.

[00:01:16] Are you ready to listen to the world's number one LEGO podcast?

[00:01:23] Get in my apartment.

[00:01:50] Space Western.

[00:01:52] Seems like a fairly simple equation.

[00:01:55] Space plus Western equals Space Western.

[00:02:00] Of course, if in your robotic school mar, who never got round to teaching you the finer

[00:02:05] points of arithmetic, might be even simple equations just out of reach for ya.

[00:02:12] Wow.

[00:02:14] Okay.

[00:02:16] Let's not continue talking like that throughout this episode.

[00:02:20] Space Western is usually considered as subgenre of science fiction and, just like it sounds,

[00:02:27] is a specific fusion of Western-style stories taking place in science fiction-style space

[00:02:34] environments.

[00:02:35] There's also a genre known as sci-fi Western, which is not the same thing.

[00:02:42] To get into potentially weird and nitpicky territory, if it is a Western that happens

[00:02:48] to take place on another planet or in space, it is typically classified as a Space Western.

[00:02:56] If, on the other hand, it is a science fiction story taking place on the American frontier

[00:03:02] sometime between the 1850s and 1890s, then it is a sci-fi Western.

[00:03:09] And if it's that nebulous third thing, a story that uses both Western and science

[00:03:14] fiction elements, but is neither a Western nor sci-fi story at its core, then as far

[00:03:21] as classification goes, you're on your own.

[00:03:26] There have been Space Western prose stories going back as far as the 1930s, and while I'd

[00:03:33] hesitate to call them actual Space Westerns, the two biggest science fiction franchises

[00:03:39] were both heavily influenced by Westerns.

[00:03:43] Gene Roddenberry pitched Star Trek to the networks as being Wagon Train to the Stars.

[00:03:50] Wagon Train, being a very popular Western series of the time set on and around a Wagon

[00:03:56] Train crossing the country with a new story happening at every stop along their way.

[00:04:03] And with Star Wars, while it was actually a multi-genre blend from many sources of

[00:04:09] inspiration, it was always reportedly George Lucas' intention that he was making a

[00:04:15] Space Western, with characters like Han Solo and Boba Fett being direct re-skins of

[00:04:21] Western archetypes and the Moss Isley Cantina being the ubiquitous CD tavern in a

[00:04:27] Western town.

[00:04:29] I have vague memories of walking into a movie theater back in 1980 and watching

[00:04:35] something called Battle Beyond the Stars, which was a Roger Corman film that

[00:04:40] remade the Magnificent Seven, which itself was already a remake of Seven Samurai, as a

[00:04:46] futuristic sci-fi movie.

[00:04:50] One of the actors in that film was George Pappard, who would later go on to play

[00:04:54] John Hannibal Smith in the A-team.

[00:04:57] The only thing I remember from that movie is Pappard's character, whose name was

[00:05:02] Space Cowboy and who had a drink dispenser on his belt.

[00:05:07] Some of my favorite entries in the Space Western milieu are the far too short-lived TV series

[00:05:13] Firefly and its theatrical follow-up Serenity, the Star Wars spin-off The Mandalorian, and

[00:05:20] anime series Cowboy Bebop.

[00:05:23] I'll also add The Guardians of the Galaxy movies if you're one of those people

[00:05:28] that consider that to be Space Western.

[00:05:30] Some do, some don't.

[00:05:33] I remain on the fence.

[00:05:35] I've recently watched a low-budget 1994 film called Oblivion, set in the town of

[00:05:42] the same name on another planet in the far future.

[00:05:46] Like a lot of your low-budget movies, it is a bad movie.

[00:05:51] The film's supporting cast includes Isaac Hayes, George Stokai, Julie Numar, and Meg Foster,

[00:05:58] all of whom are fairly wasted due to the poor script.

[00:06:02] The most of George Stokai's dialogue being references to Star Trek is nowhere near as

[00:06:07] amusing as you'd imagine.

[00:06:09] The only thing that makes me recommend this movie is the performance of Carl Streikin,

[00:06:15] who is best known as The Giant from Twin Peaks and Laxwana Troyes-Valais Mr. Homme from

[00:06:22] Star Trek The Next Generation.

[00:06:25] Streikin plays Oblivion's undertaker, Mr. Gaunt, who has the supernatural ability

[00:06:31] to know when and where a death is going to occur.

[00:06:36] Never the who, but always the when and where.

[00:06:40] So whenever someone is about to die he shows up right beforehand, which scares the Pajibbers

[00:06:47] out of the entire town when they see him coming.

[00:06:50] It is, in my opinion, the role he was born to play.

[00:06:56] Streikin has a sequel, Oblivion 2, that I have not yet seen, but that I am kind of looking

[00:07:02] forward to suffering through just to get more of Mr. Gaunt.

[00:07:06] Liko hasn't really done any space western sets.

[00:07:09] They've done space, classic space, and all of the continuations thereof, including

[00:07:16] this year's wandering sub-theme of space that has hit city, classic, creator 3-in-1,

[00:07:23] dreams, duplo, friends, and technic, as well as an upcoming collectible minifigure series.

[00:07:31] Liko has also released a couple of Star Wars sets here and there.

[00:07:35] They've also done western, although in a much more limited fashion.

[00:07:40] Liko western sets were released in 1996 and 1997.

[00:07:45] Then in 2002 they came back.

[00:07:49] And when I say they came back, I mean those same sets from 1996 to 1997 came back.

[00:07:57] There were no new sets added.

[00:08:00] Beyond that was the brief Lone Ranger theme and a single set from the LEGO movie.

[00:08:06] Not very much LEGO western presence at all.

[00:08:09] My personal involvement with LEGO Space Western can be traced back to 2004

[00:08:15] at the Portlog Summer Cookout.

[00:08:17] I was talking with my friend Kyle, who I'd only first met a few months earlier

[00:08:21] at that year's Bricks Cascade, and he mentioned his desire to one day organize

[00:08:26] a space western collaborative build for the convention.

[00:08:30] Over the years, he'd talk more about this, and we'd toss ideas for space western mocks back

[00:08:35] and forth. I always felt like he was getting closer and closer to actually doing this.

[00:08:41] Then in 2021, post convention, he started a channel in the collaborations section of

[00:08:47] the Bricks Cascade Discord called Space Western.

[00:08:51] There was quite a bit of enthusiastic conversation going on there,

[00:08:55] but in the end Kyle was unable to get space western up and running that year,

[00:09:00] which didn't stop a couple of people from building space western mocks anyway.

[00:09:05] Among these was a man named Robert Spring, who had already built

[00:09:09] a space western mock titled Skywalker Ranch that he'd built and been slowly adding to.

[00:09:17] So Robert Spring showed up at Bricks Cascade 2022 with a whole tables worth of space western

[00:09:24] mocks to display. This is one of several factors that caused Kyle to fully commit

[00:09:29] to the space western co-lab the following year, 2023.

[00:09:34] One of the things that Robert Spring had designed and built was the horse speeder.

[00:09:39] Which looked like the illegitimate offspring of a horse and a Star Wars style speeder bike.

[00:09:46] In the build up to Bricks Cascade 2023, he sent Kyle photos of an exploded view of the horse speeder

[00:09:54] so that you could make your own or make variants thereof. Anything from different color schemes

[00:10:01] to full on redesigns. I studied Robert's basic design and turned it into a bison speeder.

[00:10:09] Then I built a small herd of them. One of my earliest ideas for a space western mock was titled

[00:10:16] There's a New Sheriff in Town. I figured that law enforcement on the wild space age frontier

[00:10:23] would require constant replenishment. So I designed a scenario where a law man would land

[00:10:30] on a lawless world in a small spaceship that doubled as a sheriff's office once on the ground.

[00:10:36] The mock I wanted to build would start with one of these sheriff's ships on the ground

[00:10:42] completely vandalized. The body of the former sheriff would be lying on the ground out front

[00:10:48] or possibly even in the doorway half in half out of his office. Next to the former sheriff's

[00:10:55] ship slash office a shiny new sheriff's ship was landing, visibly piloted by the new sheriff

[00:11:03] coming to clean up that town. I had this idea in my head for years before the space western

[00:11:11] collab came to fruition. Then when space western finally got here, I discovered that it was much

[00:11:18] much easier to think about than it was to build. I'm decent at putting a building together.

[00:11:26] Designing and building a spaceship on the other hand is not something that anyone

[00:11:32] considers to be in my wheelhouse. I built the sheriff's office part of the mock for the ship

[00:11:38] already on the ground first. It had six jail cells that extended out the sides of the structure

[00:11:46] like the pop outs on an RV, sheriff's desk, room for a deputy, table and two chairs,

[00:11:53] nice little office. It ended up being bigger than I was initially thinking which

[00:11:59] was part of the problem. As a ship it really needed to be smaller than the building would allow

[00:12:06] and I wasn't interested in explaining that the ship was simply digger on the inside.

[00:12:12] Instead of building a full ship around it, I ended up building various ship components

[00:12:18] onto it. Whole sections that kept the doors and windows protected from the vacuum of space

[00:12:24] when in flight, thrusters and cockpit on the roof, stuff like that. Since the second ship wouldn't

[00:12:32] need to open being in the process of landing, it was much easier to build and I simply duplicated

[00:12:38] the exterior of the first ship when building the second. So now I had two ugly buildings

[00:12:45] with grafted on spaceship parts. Not really a winner. I'm hoping that some of my other mocks

[00:12:52] made up for that one. I don't think that the Space Western Colab at the 2023 Bricks Cascade

[00:12:59] had any sort of official name as far as a town, settlement or colony was concerned,

[00:13:06] but in my personal head cannon every Space Western mock that I built, I was building for a

[00:13:13] place called Crater Gulch which is the absolute most Space Western name I could come up with.

[00:13:20] The concepts for several of my mocks were arrived at by taking a space concept and a Western concept

[00:13:28] and turning them into some kind of fusion or amalgamation of the two. It started with me

[00:13:35] musing about building a bandstand, just your traditional gazebo style bandstand

[00:13:43] where the town folk could listen to musical acts. Okay, a bandstand seems fairly Western.

[00:13:52] Now I needed a spacey element. So what does a person think of when they think about space

[00:14:00] in a musical act? If you're only a casual fan of the Star Wars movies, you might not know

[00:14:07] that the alien band from the Cantina in that first Star Wars movie from 1977 had a name

[00:14:14] and those aliens had a species name. The band was Figurin Dan and the modal nodes

[00:14:22] and those alien musicians were members of a species called the Bith. I've always had a fondness

[00:14:29] for the Bith and Lego has done a Bith minifigure that's been available in a couple of sets.

[00:14:37] Between the ones I've gotten in sets and an extra I bought at a convention,

[00:14:42] I had seven Bith minifigures. But I wanted the mix and match to go a little bit further.

[00:14:49] So I built the bandstand using blue, light bluish gray and trans yellow,

[00:14:55] your standard classic space colors. Then I decided to go all old-timey instruments for

[00:15:02] the musicians and what could be more old-timey and more western than an old school jug band.

[00:15:12] I removed the heads and hands from all of my Bith minifigs and searched out seven overall

[00:15:18] wearing minifig bodies to attach them to. Then I started finding instruments for them.

[00:15:26] Three of those instruments were kind of boring, guitar, fiddle and banjo. But the rest,

[00:15:36] I put together a wash tub base. I had one guy on the washboard, another playing the spoons,

[00:15:45] and the band's leader blowing into a red jug from the old fabulant sets that I ordered from

[00:15:51] Bricklink. I looked at the name Figurin Dan and the other members of the modal nodes as kind of a

[00:15:59] guide on Bith naming conventions and decided that the leader of this jug band was named Grigri Dats.

[00:16:07] And once again, primarily in my own headcanon, just before the band starts to play,

[00:16:14] an announcer comes out and asks the crowd this question,

[00:16:18] Are you ready for the toe tappin', knee slappin', pants crappin' sounds of Grigri Dats and the

[00:16:31] interstellar brotherhood of hayseeds and hillbillies, sometimes known as the cosmic red jug band?

[00:16:43] So yeah, all Bith jug band. Perfectly normal.

[00:16:48] One of my other space slash western fusions was an update on the classic western undertaker.

[00:16:56] I haven't noticed a lot of undertakers in science fiction, but sci-fi does have cryogenics.

[00:17:04] So I built a little business called Undertaker Cryogenics. That one was on the maybe list

[00:17:13] until I realized that Undertaker and Cryogenics have the same number of letters,

[00:17:18] and then a vision of the business's sign popped into my head and suddenly I had to build the thing.

[00:17:25] The building front featured six showroom style windows and an entryway.

[00:17:31] Standing in that entryway was the owner and operator of the establishment.

[00:17:36] That mini-figure was composed of the long dark brown hair and cowboy gambler style

[00:17:42] hat combo from the Butch Cavendish mini-figure, the legs and torso from the Spider-Man noir

[00:17:49] mini-figure, and the frowning white head with silver goggles and red lenses from the Batman

[00:17:57] villain Mr. Freeze. In each of the windows could be seen one of the cryogenic devices

[00:18:04] offered all depicted in use. These ran from the cheapest option on the far left to the most

[00:18:12] expensive on the far right and were as follows. A dead guy in a bathtub full of ice. Captain America

[00:18:22] frozen in a block of ice. Ellen Ripley slumbering away in a hypersleep chamber.

[00:18:29] Han Solo frozen in a block of carbonite because I was afraid they'd revoke my nerd card if I

[00:18:36] didn't include that one. Philip J. Fry in a cryotube with a transparent front.

[00:18:44] And finally an opaque sealed cryotube with the stylized letter D from the Disney logo and

[00:18:52] blazoned there upon. At one point during the mock building process I asked myself

[00:19:00] what kind of food would people in a space western setting eat?

[00:19:06] And my brain didn't even hesitate before shouting out astronaut food is typically freeze dried

[00:19:13] and cowboy food is traditionally baked beans therefore space cowboy food is freeze dried

[00:19:21] baked beans. So I said my god brain you're a genius and then immediately went to work building

[00:19:30] the Chuck shuttle. One part shuttle craft, one part chuck wagon, one part food truck.

[00:19:38] The Chuck shuttle is primarily tan and white, tan spaceship body and white covered wagon

[00:19:45] looking covering down one side of the shuttle and rolled up to expose the serving window on the

[00:19:53] business side. I built a forearm robot wearing a chef's hat named C00K13 which sounds like your

[00:20:02] average alphanumeric designation for a robot when spoken aloud but looks like the word cookie in

[00:20:09] old school leet. C00K13 is tending to two pots of beans while several of the aliens from the alien

[00:20:18] conquest theme are hustling beans from the pot to the freeze dryers and from the freeze dryers to

[00:20:24] the aliens serving the food inside the back of the shuttle. And then out in front of the Chuck

[00:20:30] shuttle I set up a large seating area which I filled with all sorts of space western minifigures.

[00:20:40] About half the occupied seats were taken up by members of the red band gang who I had some

[00:20:46] unrealized plans for sadly. The rest of the customers were fairly random there were some

[00:20:54] semi recognizable characters including a trio of wookies, a table full of individuals wearing

[00:21:02] guardians of the galaxy uniforms and so on. My personal favorite contribution to the space

[00:21:09] western colab is one I've chosen to not say a lot about here because I don't really want to

[00:21:16] have to put a content warning at the front of this episode. Suffice to say I took the classic

[00:21:22] Wild West Bordello and filled it with alien working girls. Let's quickly move on.

[00:21:30] My second favorite contribution to space western was inspired by one of those classic

[00:21:35] Lego western sets. The largest set of that theme and one that I mentioned wanting back in my

[00:21:43] white whales and holy grails episode was Fort Legorado. They introduced several new pieces

[00:21:51] when they released that set allowing you to build walls that looked like they were made from

[00:21:56] upright logs and the fort was surrounded by a defensive wall of just that sort.

[00:22:04] I wanted to build space western's answer to Fort Legorado and I wanted to do it

[00:22:10] using primarily trans red one by one round bricks. Fort Laserado solid looking metal

[00:22:19] fort surrounded by a log wall made from thick laser beams. I included some laser cannons on

[00:22:27] scissor lift platforms inside the wall for defense but I still needed people to actually

[00:22:34] man those cannons and mount a proper overall defense of the fort. Fortunately the collectible

[00:22:41] minifigure series had recently given us the brown spaceman. Nothing says cowboy like brown

[00:22:51] and nothing says space cowboy like brown with the classic space logo on the front.

[00:22:58] I bought a bunch of those brown spaceman torsos off of Bricklink then added a variety of heads,

[00:23:05] brown legs with gun belts and brown fedoras or cowboy hats. I had my defenders but who were they

[00:23:13] defending against? Well to answer that question I had to return to Bricklink and buy a bunch of

[00:23:20] blacktron torsos along with more heads, black legs with gun belts and black fedoras plus one

[00:23:29] black sombrero because why not? I added one more cowboy to the fort this one being their leader

[00:23:37] white spaceman torso, white legs, white hat, the ultimate space western good guy.

[00:23:45] Okay brown space cowboys, white space cowboy. By this time I had the intention no actual

[00:23:55] plans yet but the intention of including a couple of mercenaries, your typical guns for hire.

[00:24:03] Then I remembered a classic urn of phrase and the existence of both pink and purple

[00:24:10] spaceman torsos and suddenly I knew what I had to do. I built a sturdy plain gray metal wagon.

[00:24:21] It had millennium falcon like storage compartments under the floor built in barricades to shoot out

[00:24:28] from behind space for two mercenaries to sleep along with some storage space for personal items.

[00:24:36] I modified Robert Springs horse speeder design again this time creating a pair of horse speeders

[00:24:42] tethered together with a laser cannon mounted between them and capable of pulling the larger

[00:24:47] wagon. I put together a purple space cowboy, a pink space cowgirl armed them and slapped a large

[00:24:57] sign on both sides of their wagon. These signs read Charles Rooton and Tootleidge McPherson guns for

[00:25:06] hire more commonly known as Rooton and Tooton freelance shooting. The final mock I contributed

[00:25:16] to the 2013 Space Western Co-Lab was entitled Reach for the Sky Robots and turned out to be

[00:25:23] another mock that was a better idea in my head than how I ended up building it.

[00:25:30] Actually, how I built it wasn't bad, it's just that I grouped all of its various components

[00:25:37] together as one small to medium sized mock when I should have broken it up and

[00:25:45] scattered it around the Space Western display as a bunch of mini mocks.

[00:25:52] You see, I felt that Space Western was really in need of a bank holdup. So I built a second gang,

[00:26:02] this one being in opposition to the earlier mentioned red band gang and I placed this

[00:26:08] second gang in front of a bunch of IBKs, individual banking kiosks. Think ATMs, but instead of that

[00:26:19] flat and impersonal touchscreen, these are booths that have a friendly robotic bank teller inside

[00:26:26] each one. I had nine of these kiosks in a row kind of like the cluster of ATMs you'll

[00:26:33] sometimes find at a shopping mall. When I had run out of building time for last year's Bricks

[00:26:39] Cascade, I had about as many unbuilt Space Western ideas left over as I did completed mocks.

[00:26:47] Sadly, none of these have been built since then. Everything I'm sending in for Space Western this

[00:26:55] year is either a rerun or a version 2.0 of a mock from last year, maybe in Space Western year 3.

[00:27:07] Next week's episode is about how in a world where almost all forms of art are a type of storytelling,

[00:27:14] some mocks qualify as fan fiction and how to use a mock to tell your own story using someone

[00:27:23] else's IP. Links to the podcast's social media and wish lists can be found at battlegirrilla.com

[00:27:31] slash links. As always, if you enjoy this podcast, be sure and tell your friends about it. And if

[00:27:39] you hate this podcast, well, why not recommend it to your enemies? The podcast's intro and outro

[00:27:48] themes, podcasting is awesome, inspired by Tegan and Sarah's Everything is Awesome,

[00:27:53] and Ode to Gibberish were created by Michael Reinch.

[00:28:00] I think I just closed Pandora's box and I don't know if you could punch a sucker. How else would

[00:28:07] you know that I've done everything except any of it? You can have your bald eagle afraid of fire

[00:28:15] and you can eat it too, and there could be so much joy in that one. Malavito well, how else I mean

[00:28:24] wish me luck on the prayers for junk food.